Walk Like an Egyptian, Like Sekhmet. Warrior Goddess & Lioness. YES.

Walk THIS WAY; Walk like an Egyptian...remember this one? The Bangles. Hahahaha totally rocked the egyptian dance back in the day.

Which brings me to today's: True Story. Was getting Reiki done the other day was told that I should really read up on Sekhmet. I had no idea who or what that was and asked why.  Said I apparently channeled her...said it had been decades since that happened and she was trying to figure out what that electric tingling in her fingers was and then she remembered. Sekmet! So....finally got around to really reading up on her. Apparently, she was an Egyptian goddess, with a lion head (among many many other things). Here's what Wikipedia had to say.  Find it entirely hilarious and appropos that Sekhmet had to be pacified with festivals of intoxication in order to save mankind from her wrath after battle.  Haha Let the festivities begin!!!  For the sake of mankind, of course...PS. SHE ALSO HAD A CULT FOLLOWING (my BLOG, Perhaps??)  Potentially has something to do with my new obsession with lions as well...so get your obsession with Sekhmet on in style...right here.  Right now.  Walk like an Egyptian.

In Egyptian mythology, Sekhmet (also spelled Sachmet, Sakmet, Sakhet, Sekmet, Sakhmet and Sekhet; and given the Greek name, Sachmis) was originally the warrior goddess as well as goddess of healing for Upper Egypt. She is depicted as a lioness, the fiercest hunter known to the Egyptians. It was said that her breath created the desert. She was seen as the protector of the pharaohs and led them in warfare.

Her cult was so dominant in the culture that when the first pharaoh of the twelfth dynasty, Amenemhat I, moved the capital of Egypt to Itjtawy, the centre for her cult was moved as well. Religion, the royal lineage, and the authority to govern were intrinsically interwoven in Ancient Egypt during its approximately three thousand years of existence.
Sekhmet also is a solar deity, sometimes called the daughter of the sun god Ra and often associated with the goddesses Hathor and Bast. She bears the solar disk and the Uraeus which associates her with Wadjet and royalty. With these associations she can be construed as being a divine arbiter of the goddess Ma'at (Justice, or Order) in the Judgment Hall of Osiris, associating her with the Wedjat (later the Eye of Ra), and connecting her with Tefnut as well.

In order to placate Sekhmet's wrath, her priestesses performed a ritual before a different statue of the goddess on each day of the year. This practice resulted in many images of the goddess being preserved. Most of her statuettes were rigidly crafted and do not exhibit any expression of movements or dynamism; this design was made to make them last a long time rather than to express any form of functions or actions she is associated with. It is estimated that more than seven hundred statues of Sekhmet once stood in one funerary temple alone, that of Amenhotep III, on the west bank of the Nile.

She was envisioned as a fierce lioness, and in art, was depicted as such, or as a woman with the head of a lioness, who was dressed in red, the colour of blood. Sometimes the dress she wears exhibits a rosetta pattern over each breast, an ancient leonine motif, which can be traced to observation of the shoulder-knot hairs on lions. Occasionally, Sekhmet was also portrayed in her statuettes and engravings with minimal clothing or naked. Tame lions were kept in temples dedicated to Sekhmet at Leontopolis.

 Festivals and evolution

The warrior goddess Sekhmet, shown with her sun disk and cobra crown

 

To pacify Sekhmet, festivals were celebrated at the end of battle, so that the destruction would come to an end. During an annual festival held at the beginning of the year, a festival of intoxication, the Egyptians danced and played music to soothe the wildness of the goddess and drank great quantities of wine ritually to imitate the extreme drunkenness that stopped the wrath of the goddess—when she almost destroyed humankind. This may relate to averting excessive flooding during the inundation at the beginning of each year as well, when the Nile ran blood-red with the silt from upstream and Sekhmet had to swallow the overflow to save humankind.

In 2006, Betsy Bryan, an archaeologist with Johns Hopkins University excavating at the temple of Mut presented her findings about the festival that included illustrations of the priestesses being served to excess and its adverse effects being ministered to by temple attendants.^[1] Participation in the festival was great, including the priestesses and the population. Historical records of tens of thousands attending the festival exist. These findings were made in the temple of Mut because when Thebes rose to greater prominence, Mut absorbed some characteristics of Sekhmet. These temple excavations at Luxor discovered a "porch of drunkenness" built onto the temple by the Pharaoh Hatshepsut, during the height of her twenty year reign.

In a later myth developed around an annual drunken Sekhmet festival, Ra, the sun god, created her from a fiery eye gained from his mother, Hathor (daughter of Ra), to destroy mortals who conspired against him (Lower Egypt). In the myth, Sekhmet's blood-lust was not quelled at the end of battle and led to her destroying almost all of humanity, so Ra had tricked her by turning the Nile as red as blood (the Nile turns red every year when filled with silt during inundation) so that Sekhmet would drink it. The trick was, however, that the red liquid was not blood, but wine so that it resembled blood, making her so drunk that she gave up slaughter and became an aspect of the gentle Hathor to some moderns. It is said that when Sekhment awoke from her drunken sleep, the first thing she laid eyes on was the creator god, Ptah and fell in love with him, and the result was Mahees and Nefertem.

Sekhmet later was considered to be the mother of Maahes, a deity who appeared during the New Kingdom period. He was seen as a lion prince, the son of the goddess. The late origin of Maahes in the Egyptian pantheon may be the incorporation of a Nubian deity of ancient origin in that culture, arriving during trade and warfare or even, during a period of domination by Nubia. During the Greek dominance in Egypt, note was made of a temple for Maahes that was an auxiliary facility to a large temple to Sekhmet at Taremu in the delta region (likely a temple for Bast originally), a city which the Greeks called Leontopolis, where by that time, an enclosure was provided to house lions.

So let's get this party started right!  Walk like an Egyptian, like Sekhmet.  And get your festival of intoxication on right.  Sekhmet, Lioness, Warrior = my style.  Could be yours too??  For the sake of mankind, of course.  LOL